Friday, September 3, 2010

2010 TSA Flowers Award: Paul Hester

Photographer Paul Hester

Photographer Paul Hester has influenced the way we look at architecture, particularly Texas buildings, for at least one generation. His ability to see through his lens the details and light and shadows that architects only hope someone will notice is extraordinary. Given the influential publications featuring literally thousands of his photographs since the 1970s, the Texas Society of Architects has recognized Hester with the TSA Award for Excellence in the Promotion of Architecture through the Media in Honor of John G. Flowers Hon. AIA. Hester will receive the award during the TSA Convention in October.








Thursday, September 2, 2010

Design for Decades

The AIA has an exciting opportunity to spotlight outstanding global architectural projects. Beginning Sept. 15, the AIA will be accepting submissions for the Design for Decades initiative. Projects will be displayed online in a virtual exhibition; selected projects can also be featured in venues such as AIA Headquarters, the 2011 National Convention, and in local chapters. 

The purpose of this undertaking is to feature works of all scales and types that represent the scope and quality of work being done by AIA members. Entries including small, large, commercial, residential, public, private, interiors, historic preservation, engineering, landscape and urban design projects will be accepted.

Ultimately, this will highlight the excellent work done by AIA members and promote the value of design. It will also serve as a “snapshot in time” that can be viewed by future generations of architects.

Design for Decades is open to all AIA members including associate, international associate, and allied members.

Please note there is a $25 entry fee to be paid online. Each project requires a separate and complete submission and fee, with a limit of four per member or firm.

The Design for Decades site will be posted on www.aia.org on Sept. 14. Deadline for submissions is Oct. 27, 2010. Projects selected will be featured in a virtual exhibition and can be used for exhibitions in venues in the U.S. and abroad.

Guest Blog: TRUE GREEN

Cindy Frewen Wuellner, PhD, FAIA, is an architect, urban analyst, and founder of Frewen Architects, Inc. She teaches at the University of Houston for the Futures Studies Graduate Program and is currently writing a book on the influence of social technologies on the design, construction, and use of 21st century cities. 

TSA welcomes Cindy's True Green series on sustainable design. Today's post summarizes the debate surrounding sustainable design. 

TRUE GREEN: What's Wrong with Green Building, Sustainability, and Especially LEED?

by Cindy Frewen Weullner, Ph.D., FAIA

During the July #aiachat, architects sang the praises of sustainable design and green building. Kyle Lee @KyleLEED says, “Green design is not only ‘good’ but a necessity.” @tomorrowsproject says, “67% of our poll respondents say sustainable design is already synonymous with good design.”

Others cite difficulties with increased costs of construction and persuading reluctant clients. In other words, according to this group, ‘why’ we build sustainably has been answered. Consensus reached, amen to that. And then we continue to stumble on the ‘how,’ the pragmatics of execution. Increased initial costs and unwilling clients have long been the one-two knockout punches for sustainable design.

In fact, beyond the community of sustainable design experts, you can hardly miss the frequent challenges. Particularly fierce shots target US Green Building Council’s LEED certification system, the reigning model for green design.

What are the problems with sustainable design?
Here’s a brief recap of the major complaints.

1. Poor Performance. Some buildings are not living up to their promised energy efficiencies. Legal ramifications of de-certification are flying.
2. Credibility. The ever-present bugaboo, greenwashing, undermines the credibility of the entire green tech industry. As The Atlantic said, being green is just too easy.
3. Conflicting Standards. The myriad of green codes, regulations, and standards such as LEED, state or city energy codes, and BREEAM confuses clients and experts. Sometimes the criteria conflict. Which should we follow?
4. Low Standards. LEED isn’t strict enough. For instance, according to recent report by Environment and Human Health, Inc., the highest level of LEED (platinum) does not mandate clean air quality and allows toxic materials. Does LEED actually protect human health?
5. Weak Design. Frank Gehry continues to profess allegiance to sustainability while condemning the methods, specifically LEED. Why don’t we simply let A/E professionals use their judgment?
6. Lacks Vision. LEED doesn’t inspire designers. It fails to represent true sustainability in a holistic sense including social justice, beauty, spirituality, quality of life, and education. It’s simply a checklist, not a transformational concept.
7. User Complaints. Most recently, people that live in LEED buildings have started their own anti-sustainability campaign.

Gives even the most devoted believer pause, doesn’t it? What happened to the magic? Where’s the spirit of enthusiasm that inspired a movement? Are we truly building sustainably? Is LEED completely inadequate? Is there a fundamental lack of public support?

How should responsible, environmentally-concerned AEC professionals respond?

From this list of attacks, I see a pattern of three significant types of problems.

- Is LEED the best option for sustainable design? Several of the items (performance, user complaints, and conflicting standards) confront LEED. Does it need tweaks or a major overhaul? Or should we throw it out and move on to a better system?

- Why is there a war between sustainability and design excellence? Can green building and good design co-exist? Gehry gave it air, but believe you me, he’s got a whole cadre of cheerers. Lines are drawn.

- In terms of sustainable buildings and cities, where do we go from here? Is there support for sustainable design in the long run? And frankly, exactly what is sustainable design? (You might think I’d start here, but I’d rather jump into the middle instead, grapple with some particulars, build some context, and see how those situations influence the abstract idea of sustainable design.)

Sustainable design is after all the single most critical problem that the modern building community has ever faced. Rather than the promised upward trend of endless new technologies and progressive growth, we have discovered epic mistakes, some that are irreversible. Our buildings make people, ecologies, even the planet sick. We abuse energy, waste resources, and destroy natural systems.

So where do we start? How do we learn a new way of thinking? Watching the tsunami of environmental catastrophes aggregate, brilliant people have pondered the problem for decades. We have practiced many new ways over the past ten or fifteen years.

More than that, environmental damage represents the first massive step backward that the industrialized construction industry has ever faced. We don’t even have the patterns required for identifying, analyzing, and solving problems at this scale. It’s nothing short of a new way of living; a new way of being.

If in fact, we shape our buildings, and thereafter they shape us, are we sick too?

A True Green Series
I have my ideas. And I bet you do too. I plan to tackle this list, and perhaps a few other stray topics, over a series of posts.

I hope you’ll read, and more than that, I hope you’ll join the conversation – here on the TSA blog or on Twitter where you’ll find me as @urbanverse.

Because I sure don’t have all the answers, or know everything. I know what I know from my experiences and study. And thanks to the joy of internet and research methods, I can gather a lot of data.

I believe it’s important to open the conversation. Complaints deserve fair analysis. And I believe the more we challenge our practices, values, and solutions, the better our work.

Are we true green? Are you creating truly sustainable environments? Are we giving future generations a reasonable chance?

Hang on, bumpy road ahead.

Cindy Frewen Wuellner, PhD, FAIA, explores other topics on her blog.

Wednesday, September 1, 2010

2010 TSA Associate Member: Mary E. Foley

Mary E. Foley, Assoc. AIA

Mary E. Foley, Assoc. AIA, of Dallas, will receive the TSA Associate Member of the Year Award during the Society's October convention in San Antonio.

A graduate of the University of Oklahoma, Mary began working with Raymond Harris and Associates Architects in Dallas in 2006. Within a few months, she took on the role of project manager within her firm, producing, maintaining, and overseeing the construction documents of nearly 150,000 square feet of retail space with each project and coordinating three to five projects at a time.

A seasoned community volunteer, Mary became involved in AIA Dallas in the fall of 20o8 when she was selected by her firm's leadership to participate in the inaugural AIA Dallas Emerging Leaders program. In 2009, she and two other Emerging Leaders participants assisted in the planing and organization of a significant urban clean-up in Dallas' historic Turtle Creek area. Soon after, Mary joined the AIA Dallas Associates Committee and began regularly volunteering for activities, such as assisting in the organization of ARE Prep lectures and the 2B an Architect program.

Mary received the 2009 AIA Dallas Associate of the Year award and was selected as Co-chair of the 2010 Associates Committee, where she is working to build Associate representation within the local chapter. In 2007, she received the Intern of the Year Award from Raymond Harris & Associates.
To further distinguish the identity of the Associates within the AIA Dallas chapter, the Associates Committee created a logo that was later adopted as the brand identity for all committees with the AIA Dallas chapter.

Texas Architect Contributor: Michael E. Allex, AIA


Michael E. Allex, AIA, is a third generation “Valley Rat”…Rio Grande Valley Rat, that is. After graduating from Texas Tech, Allex interned in Dallas for three years. He returned to his native Harlingen, where he has practiced architecture for nearly 20 years. He enjoys the best of the Valley, fishing the flats and hunting the ranch country. His article on La Lomita Mission Chapel is found on page 48 of the Sept/Oct Design Awards issue of Texas Architect.










Listen to The Shape of Texas' 2-minute episode that features La Lomita Chapel.

Code Volunteers Wanted

With the recent completion of the International Green Construction Code (IgCC) Public Comment hearings, the International Code Council (ICC) now moves into the next step in the proposed development of an IgCC—a full cycle of ICC Code Development in 2011. As such, ICC has posted a “Call for Committee” for its 2011 IgCC Code Committee, and is seeking the AIA’s help in spreading word of that opportunity. The link to the call is:

http://www.iccsafe.org/cs/IGCC/Pages/call.aspx

The application deadline is October 1, 2010.

For more information on the IgCC development process, please contact Jessyca Henderson, AIA, director, Sustainability Advocacy, at jessycahenderson@aia.org or 202.626.7340.

Tuesday, August 31, 2010

Architecture at the Umlauf

The Umlauf Sculpture Garden and Museum in Austin continues its 2010 lecture series, Architecture at the Umlauf, on Sept. 2 with architect Brian Dillard, AIA, of Brian Dillard Architecture. Dillard will be discussing current and past work. The lecture will focus on three current residential additions that reshape and reinvigorate their existing structures in varying ways. Doors open at 7:00 pm. Lecture begins at 7:30 pm.



Images courtesy of Brian Dillard Architecture

In its fourth season, Architecture at the Umlauf continues in October and November. October 14: Jay Hargrave, AIA, of Cottom Hargrave Architecture and November 4: Paul Lamb, AIA, of Paul Lamb Architects